Still Life Photography by Sean Ellingson

Sean Ellingson is professional male photographer, who was born in Manitowoc, Wisconsin. He studied Photography at the Art Institute of Seattle and later completed his BFA in 2008 at the School of Visual Arts in New York City. He lives and works in Brooklyn.

Still Life Photography by Paul Biddle

Paul Biddle is an award winning Fine Art Photographer. Working from his Studio in Devon , Paul is a technical perfectionist whose work has gained the respect of his profession for creating surrealistic and playful work of the highest technical standards - shot and composed "within camera". Recently Paul has added digital imaging techniques to his repertoire but continues to place the main emphasis when creating his work of maximizing the traditional skills of in camera photography and real world lighting.

Still Life Photography by Marcel Christ

After graduating with honours from the Academy of Photography in Amsterdam, the Netherlands, photographer Marcel Christ has shot for clients such as Sony, Nokia, Samsung, Evian, L’Oreal, Dior, Tanqueray, Chopard, Nike, New Balance, Rado, Coca-Cola and Stella Artois. Marcel is known for his mastery of still lifes which lend and unmistakable life-force to ordinary objects, transforming jewels, shoes and liquids into sleek art forms. Marcel, who divides his time between New York and his native Amsterdam, also shoots editorially for Details, ELLE, New York Times and Instyle.

Still Life Photography by Christopher Stott

Christopher Stott is a contemporary realist painter. You can call him Chris. After earning a BFA with High Honors and a Distinguished Exhibition in 2003 from the University of Saskatchewan, Canada, Stott worked in photography in the fine art department at that university. Being immersed in the rapidly changing and technical world of photography, he left to pursue the painting studio, where the digital world was shut out and the tradition of oil painting honored. For the next several years, he studied and practiced, building and perfecting his skills, and continues to do so with a prolific studio career.


Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time honored subject matter. Stott takes his cues from various eras of art including the interiors of Vermeer, the still life of Chardin to the realism of Thiebaud. With the addition of retro, vintage and antique objects like rotary telephones, typewriters, electric fans, and alarm clocks, he links the old with the new and applies a subtle narrative to his work, often with a quiet sense of humor.